In reply to this post.
Alternative is really a test of how much your heart can withstand. Visual novels often seek to put you in the protagonist’s shoes and this one certainly does a great job of it given the amount of time they had to “educate” you, the reader.
Of course the ending is sad. But it’s also a testament to not giving into despair. I’ve already integrated most of the lessons Alternative had, but until you really accept in your heart what the various characters are saying, your emotions will not be moderated or balanced out.
For example, one of the most effective ways to fight despair at the loss of a loved one is to overcome it with positive emotions and memories. Pride in what they had achieved. The happy memories you shared with them. Such will provide the will to live on.
That’s the whole point of why fighter pilots and small unit infantry tell jokes when faced with death. Many people assume that they don’t take it seriously because they don’t care, but the opposite is true.
Leaders must radiate supreme confidence and optimism, regardless of what they believe or feel inside. That is part of the duty and responsibility of being given authority, for authority has its perks because it has its costs as well. Human emotion is infectious. If you start feeling sad, soon enough everyone around you will as well. And when it comes to fighting in battles and wars, that kind of thing will kill people. When they lack the will to live, when they stop caring, they will also stop caring about the mission. They won’t pay enough attention in combat to survive. They will get themselves killed. That’s why leaders project an optimistic and positive aura. To defeat despair before one can defeat the enemy.
To a commenter there: Check all torrent tracker sites as well as hongfire forums which posts torrents, file server links, and various other download sources.
Continuing on more issues with MLA.
As previously mentioned, I finished reading ML Extra/Unlimited and Ml Alternative. It’s a combination of many different things such as a thriller, science fiction, military war drama, romantic love triangles, and so on. When I say war drama I also mean a life and death drama: one that focuses on the meaning of life and death. A military war drama can be about the military or the war, but it doesn’t necessarily touch upon the concepts behind the meaning of living.
One of the things I’ve heard mentioned a lot is the dramatic dichotomy between chick flicks and movies suited more towards a male demographic. Unmarried single women under 30 in a career. Married women with a family. Teenagers and those in college. Demographics can tell much about a group trend, hence the whole importance placed on age and demographics in marketing. Insurance companies also charge teenagers (15 year olds) much greater premium rates. Regardless of the individual variance in your demographic, the demographic itself is a very accurate portrayal of what the group is trending towards. Thus chick flicks have lately become specialized only for certain demographic groups of women, to the point where it turns off any other demographic. This is, in fact, an indication of plagiarism, un-originality, and a degradation in artistic talent. True artistic talent allows dramatic moments to touch any human, regardless of barriers. That is true artistic skill. There can be no art without a human utilizing artistic skill. When I see movies that have skewed positive reactions amongst a certain demographic, yet the format and themes are so derivative and unbalanced, this is a sign that they are specializing not because they are good at making movies that appeal to women but because they need that kind of specialization to cover up their own incompetence.
That being said, ML Alternative is such a hybrid of so many different other things, which is in fact usual not unusual for the Japanese, that it becomes a stark contrast. In chick flicks, the focus is mostly on relationship issues and on guys apologizing. There’s no war to portray manly virtues or courage. There’s no external enemy or even competent rival. When the Japanese does love triangles, they make it as complex as humanly possible. Such things as two best friends falling in love with their childhood friend, while the childhood friend loves both girls, makes for interesting drama. There is more emotional bonds connecting all 3 together, so the pain or the joy becomes higher in nature. On the other hand, Hollywood does love triangles in a superficial sort of fashion. Either it’s a competition between boys and immature males or it’s a case of Pearl Harbor. There’s rivalry between friends, but they stop being friends for some reason when they compete against each other. There’s no such thing as a friendly competition or the old line “may the best man win”. Meaning much of Hollywood’s love triangles are backstabbing, deception orientated. Such negative emotions tend to affect everyone in a love triangle. It’s not as simple as conservatives prefer positive and happy relationships and LibProgs prefer backstabbing deceptions, but that’s how it tends to turn out given what I have read in America. I do not claim Japan is conservative by the measures Americans can judge, but the culture has several points of compatibility with American conservative culture.
To get back to the main point, Alternative has many things women and men would find captivating. Relationship difficulties are present. Victory and defeat in war are also present. I’ve watched the last Pearl Harbor movie out of Hollywood. Could have been worse. Doesn’t compare to Alternative. If Alternative is the sun, Pearl Harbor is a beach. Both are hot and shiny. What makes Alternative extremely appealing to many demographics is simply the skill with which it has produced the hybrid intermingling of different characters, themes, concepts, and events. Instead of feeling like a jumbled up puzzle, it is a very clear and comprehensive picture. Almost a visual illusion.
One core example I can give is this. Hollywood treats death as either a convenient plot point or as a convenient way to support the main characters. They do not and cannot do what Serenity or the Japanese do, which is bitter-sweet moments. Sanctifying the importance of life, yet serene in the acceptance of dying for something of great importance. That’s because those who value their lives the highest, have a hard time understanding why anyone else would risk theirs for abstract ideals. Patriotism, love of country, is taught as being a bad thing that leads to wars. Such is true especially in Germany and Japan. The Japanese love of tradition and family values has allowed them to retain much of their history in societal sub groups. Their history is replete with warfare and tragedies, thus they can draw much from it even though they lack modern day experience. Our Civil War happened only recently in the eyes of world history, and we aren’t even over it. Japan’s last great civil war happened in 1600 at the battle of Sekigahara. Americans have not had enough time to see things as they really were. And for wars fought in other countries, that is even harder to comprehend for the ordinary citizens of America. It is hard enough to attempt to understand your mortal enemy that speaks another language, but if they are all fighting thousands of miles away from your peaceful life, how much understanding can you really obtain given the normal disinterest civilians have in such affairs?
In an interesting state of affairs, the Japanese have better literature on the topic of war sacrifices and patriotism even though the US has a much higher institutional knowledge in patriotic parts of America and in the US military. Such is life, an infinite amount of contradictions.
Some here may have read David Weber and may recall me mentioning him. Weber does war drama quite well and goes to great lengths to attempt to portray human factions honestly and as they truly are. Instead of the cookie cutter, absolute black and white, portrayal of reality by Leftist ideologues.
This is why I laugh whenever Leftists say that we are parochial and mired in tradition and old ways. The Left is so bigoted, arrogant, and intolerant of other beliefs, so reactive, and so regressive that they don’t even have the right to call anyone else “traditional” to begin with. They have no such right. They have no power to generate such a right. They have nothing to deserve power or rights. All they can do is to beg other people to sacrifice for them. They don’t work. They don’t contribute to the community. They suck off of other people’s wealth. They damage the common good for selfish greed and arrogance. And yet they believe they should have rights?