Archive for the ‘Music’ category

Lia: Musician hired by projects such as Clannad

March 11, 2012

The ending line, arigatou gonzaimasu, means “thank you very much”. Cute, isn’t it.

Meanwhile feminism in the US has produced the desire for private individuals to pay for thousand dollar contraceptions for feminist activists: they didn’t even bother to say this was a tax on the rich. As well as women selling their bodies for cash, hailed as the glorious progress of NOW, to pay for college (tuition costs that conveniently goes to pay for activists and permanent retention of Leftist staff at colleges)

I don’t know about you, but the Japanese cultural perception and reinforcement of femininity is a lot more attractive than American political power maddened policies. It hasn’t had 40-50 years of Leftist feminism to poison it, perhaps. To know beauty, you must first witness ugliness, and boy, do I understand that.

Skyrim: Music of the New Age

February 10, 2012

A little something old with a little something new.

Efficient Use of Time: Nekomura Iroha in “Only my Reagan”

November 29, 2011

If this is what the Japanese spend their time on, no wonder they wish for Number 1 status in everything.

And achieve it in many fields.

The song in its original version.

The AMV for the anime is here

Really good composition on that one if you ask me.

Xandria Music Videos

October 28, 2010

Link

Ichinose Kotomi: Violin rehearsal

September 27, 2010

This is the piece she was practicing for. It wasn’t until I realized that the clacker and the bell were coming from the instruments shown in the rehearsal that I realized… this song was it.

And I spent several periods of time near the ending of the visual novel wishing I could have heard her after she had improved. It felt like one of those plot twists at the FIN, like Star Wars Knights of the Old Republic, Sixth Sense, or Matrix 1. In this case, Kotomi from Clannad, had a special surprise, on top of all the other surprises, in reserve. It was seeing the triangular device. Suddenly, I remembered that the song itself had this dinging sound that was not from a violin. That was the connection. Given Kotomi’s arc focusing so strongly on music, it was an interesting easter egg to find.

If I recall correctly, the “violin of death” on the school grounds was organized (and paid for) by Kyou as a sort of practice session before her real recital. Which was never presented in the VN.

Susan Boyle: Crowd Reactions and Analysis

April 20, 2009

[These are three of my comments concerning Susan Boyle and the reactions of both the audience and the judges.]

The I have a Dream from Les Miserables really did capture the emotional impact of her musicality.

People heard the song from many levels. Simon’s been a past master at emotional manipulation, aka drama, so it is no surprise. And it doesn’t even matter whether he heard her rehearse before the show, either, he has seen enough of these surprises to know how the audience will react and he plays his part dutifully.

I am not a master at reading facial language, but the female judge looked genuinely surprised and the other male judge only looked moderately surprised but got himself in check very fast when it came time for comments to the effect that I didn’t read any surprise latent in his mannerisms once he started talking.

The first thing people heard was the audience’s amusement at this middle age woman who has a quirky mannerism and a subtle, not pronounced, accent. The image and expectation with singing devas and stars were too incongruous for the audience and some of the particularly younger members (including one foolish and inexperienced young female who rolled her eyes and was caught on camera). THen the audience heard the expectation and the fear, their own and each other’s. People feared a train wreck, others expected one, and still others were hoping for an underdog extreme success. One girl was holding her hand against her mouth, cause she was so gripped with expectation and dread of a embarassing moment. Still others were envious and admired her for her pluck and determination in front of such an audience reaction, something most of the audience knew in their heart of heart’s that they could never ever withstand such a thing as she has been doing.

And then the song. First the surprise reaction and the applause. Not sure who they were applauding, as she was here to show her talent and she hasn’t finished just yet. I surmise the audience was applauding fate or serendipity or luck that had them be the audience to see such a thing at such a moment in such a show.

THen after the relief and the joy and the various other emotions started cropping up in the audience gripping them, came the musicality. People started actually hearing the words and it interspersed with what they heard from her auto-biographical details and some of Obama’s Hope and Change mantra that has filtered into the dull wits of the young and the foolish cynical minds of the old.

They saw her success and heard the words of the song and knew she was living her dream. Her hope. And they then started applauding that.

I could not have planned a better propaganda event had I the resources of an entire government and I had been given the charge of improving morale for an existential war effort.

# Ymarsakar Says:
April 14th, 2009 at 12:44 pm

I rewatched the judge’s expressions during the song and here are my more conclusive judgments.

The other male judge on the left didn’t hear her first rehearsal so he was surprised. Neither did the female judge. Simon, however, I suspect, did know. If not by actually hearing it then at least because he was told by those that did hear her before her stage performance.

Btw, the female judge, while very attractive before, became stunning once you started seeing the interplay of emotions on her face.

And, of course, not everybody was against Susan. That was just a judge’s projection or displacement or theatre act. There are those like me, I am sure, who watched the reactions of others far more than we watched the actions of Susan on stage. And this would have been true even had we been tipped off that this was something special, spectacular, or spectral.

Simon, of course, was perhaps surprised only in the sense of how powerful the words of her song was combined with SUsan’s singing voice and the reaction of the audience. You could see Simon enjoying the audience’s reactions and even once started glancing around before he caught himself.

# Ymarsakar Says:
April 14th, 2009 at 12:55 pm

Okay, I just heard Simon’s comments for the first time and he admitted he knew. Which is as I surmised.

The female judge commented that “we were cynical”. I wouldn’t phrase it that way, actually. Rather, it is more like when cynics don’t believe in things, they will then believe in anything produced by a good con man, as Obama has testified and demonstrated.

I would term it this way. The people are fools not because of what they believe or do not believe, they are fools because they do not pay attention to the emotions and reactions of others. THey are not vigilant. Whatever they feel and whatever they think, they are unable to control because they don’t even notice what causes it in others, how can they notice what causes it in themselves?

They do not understand the power of emotional manipulation or psychological adjustments. THey do not understand the basis of power or what moves the masses. They are not a Simon or a Reagan or even an Obama.

They do not respect work because it has been drilled in our society that 1. either you are born with talent and genetic benefits like intelligence or 2. you are relegated to the bottom classes, economically or otherwise. Social Equality is such a big deal because people believe that things cannot be balanced any other way except through the all powerful government, which they have been taught brought the US out of a World Wide recession and won a world war in the bargain. They want that kind of comfort. THey want to be able to say “I am not responsible for this, therefore I need not feel any guilt for the government will take care of the inequalities for me”.

Dirty Jobs has already proven that there has been a war on honest work in favor of “intellectual pursuits”. But the cost of that is a further handicap on people, young or old, to misinterpret their reality.

A story, a song, and a universe

September 4, 2007

David Weber’s Honor Harrington inspired three songs available from baen that you can read the lyrics of and download to hear.

Musicians: Girl Musicians that is: Kim Divine

August 24, 2007

The voice of this woman is amazingly hypnotic. And I’m not talking about her singing voice… Excuse me, got to wipe off the drool, enjoy the song in the meantime. (Long Pause)

My first impression was correct. She looks curiously different with stage makeup than she does here in more comfortable settings. The stuffed animal episode, the second down one, is pretty hilarious in a weird sort of way.

Did I say I love her conversation voice? Oh, okay.

More Hayley

June 23, 2007

Headphones do make a difference.


Pokarekare Ana

An interview of Hayley via youtube.

Scarborough Fair

O Mio Babbino Caro

Hayley and her sister in one voice harmony

Shenandoah/One Fine Day/E Pari Ra Medley

The Duo version of Pokarekare Ana, with Russel.

The USA

June 20, 2007

You might want to give this collage a glance.

Courtesy of SGT Wilks


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